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Sri Krishna Janmashtami and Sri Krishna Ashtaka






  Sri Krishna Janmashtami
  -----------------------


  nityAnandaikarasam saccinmAtram svayanjyotih 
  puruShottamamajamISam vande SrIyAdavAdhISam  ||

  I adore Krishna, the Supreme Person, the Unborn
  Lord, the Self-effulgent One, the Supreme Lord of 
  the descendents of Yadu, Whose nature is that of 
  existence and consciousness, and Whose essence is
  entirely that of eternal bliss. 

              (Prabodha sudhAkara of SrI SankarAcArya)

  ***************************************************


  This year, Sri Krishna Janmashtami is to be observed 
  on the 17th of August. 

  The birthday of Sri Krishna is usually taken to be the 
  Sravana Krishna Ashtami, but is sometimes assigned to 
  the month Bhadrapada, especially in Northern India. 
  According to traditional sources, the Janmashtami is 
  observed on the day when the ashtami tithi occurs at 
  midnight. If the ashtami tithi AND the Rohini nakshatra 
  occur on the same day, then the observance is considered
  to be doubly sacred; otherwise the observance is held on 
  the day on which the ashtami prevails at midnight. 
  The vrata mainly consists of fasting, spending the whole
  night in the worship of Krishna, reciting hymns of praise and
  Krishna's pastimes, reciting prayers from the Bhagavata,  
  offering arghya to Krishna, and the parana or the ceremonial
  breaking of the fast.  The next day is  celebrated as  
  Krishna Jayanti. 
 
  Celebrations are held on a grand scale in all Krishna 
  temples,  especially the ones in Vrndavan, Mathura 
  (Uttar Pradesh), Dvaraka (Gujarat), and other regionally
  famous temples. 

  Although, the great Vedantin Adi Sankara preached the 
  path of knowledge (Jnana), fiercely criticizing and 
  routing various schools of philosophy, he did not decry 
  the path of devotion (Bhakti). On the contrary, one is able 
  to discern from his writings that he had a "soft-corner"   
  for Bhakti. Sankara did not only believe in the efficacy of 
  Bhakti in the realization of Brahman, but he also actually 
  composed many stotras or hymns in praise of Visnu, Siva, 
  Devi, Ganapati, Skanda, etc.   

  One such hymn is the Sri Krishna Ashtaka or eight verses in
  praise of Sri Krishna. This stotra, like many of Sankara's
  stotras, has a musical effect and may be easily set to 
  music. It is, therefore, recommended that the stotra be 
  sung, not just recited.  For Lord Vishnu has promised to 
  be present wherever His devotees sing His glories. 

  yatra gAyanti madbhaktAh tatra tiShThAmi nArada |

  
****************************************************

  Sri Krishna Ashtaka of Sankara Bhagavatpada
  -------------------------------------------
 

  bhaje vrajaikamaNDanam samastapApakhaNDanam
  svabhaktacittaranjanam sadaiva nandanandanam  |
  supicchagucchamastakam sunAdaveNuhastakam 
  anangarangasAgaram namAmi kRShNanAgaram     || 1 ||

  I worship the naughty Krishna, the sole ornament of Vraja,
  Who destroys all the sins (of His devotees),
  Who delights the minds of His devotees, the joy of Nanda, 
  Whose head is adorned with   peacock feathers, Who holds 
  a sweet-sounding flute in His hand, and Who is the ocean of
  the art of love.  
  
  manojagarvamocanam viSAlalolalocanam   
  vidhUtagopaSocanam namAmi padmalocanam   |
  karAravindabhUdharam smitAvalokasundaram 
  mahendramAnadAraNam namAmi kRShNAvAraNam   || 2 ||

  I bow to Krishna Who rid Kama deva of his pride, Who has
  beautiful, large eyes, Who takes away the sorrows of the 
  Gopas (cowherds), the lotus-eyed One. I bow to Krishna
  Who lifted the (Govardhana) hill with His hand, Whose 
  smile and glance are extremely attractive, Who destroyed
  the pride of Indra, and Who is like the King of elephants.

  kadambasUnakuNDalam sucArugaNDamaNDalam 
  vrajAnganaikavallabham namAmi kRShNadurlabham   |
  yaSodayA samodayA sagopayA sanandayA 
  yutam sukhaikadAyakam namAmi gopanAyakam   || 3 ||


  I bow to that Krishna Who wears earrings made of Kadamba 
  flowers, Who has beautiful cheeks, Who is the only darling
  of the Gopikas of Vraja, and Who is very difficult to attain
  (by any means other than Bhakti). I bow to Krishna Who is 
  accompanied by Gopas (cowherds), Nanda, and an overjoyed 
  Yashoda,Who gives (His devotees) nothing but happiness, and  
  Who is the Lord of the Gopas.    


  sadaiva pAdapankajam madIya mAnase nijam 
  dadhAnamuktamAlakam namAmi nandabAlakam  |
  samastadoShaSoShaNam samastalokapoShaNam 
  samastagopamAnasam namAmi nandalAlasam     || 4 ||

  I bow to the son of Nanda, Who has placed His lotus feet
  in my mind and Who has beautiful curls of hair. I adore 
  Krishna Who removes all defects, Who nourishes all the  
  worlds and Who is desired by all the Gopas and Nanda.  

  bhuvo bharAvatArakam bhavAbdhikarNadhArakam  
  yaSomatIkiSorakam namAmi cittacorakam    |
  dRgantakAntabhanginam sadA sadAlisanginam 
  dine dine navam navam namAmi nandasambhavam || 5 ||

   I bow to Krishna Who relieves the burden of the earth  
  (by vanquishing innumerable demons and other evil forces),
  Who helps us cross the ocean of miseries, Who is the son  
  of Yasoda, and Who steals the hearts of everyone. I bow to
  Nanda's son Who has extremely attractive eyes, Who is always
  accompanied by saintly devotees, and Whose (pastimes and form) 
  appear newer and newer, day by day.  

  guNAkaram sukhAkaram kRpAkaram kRpAparam  
  suradviShannikandanam namAmi gopanandanam  |
  navInagopanAgaram navInakelilampaTam  
  namAmi meghasundaram taDitprabhAlasatpaTam  || 6 ||

  Krishna is the repository of all good qualities, all  
  happiness, and grace. He destroys the enemies of the gods
  and delights the Gopas. I bow to the mischievous cowherd
  Krishna, Who is attached to His exploits, which (appear)
  new (every day), Who has the handsome complexion of a 
  dark cloud, and  Who wears a yellow garment (pItAmbara)
  that shines likes lightning.   

  samastagopanandanam hRdambujaikamodanam 
  namAmi kunjamadhyagam prasannabhAnuSobhanam |
  nikAmakAmadAyakam dRgantacArusAyakam  
  rasAlaveNugAyakam namAmi kunjanAyakam       || 7 ||

  Krishna delights all the Gopas and (plays with them) 
  in the center of the grove (kunja). He is appears as 
  resplendent and pleasing as the sun and causes the 
  lotus that is the heart (of the devotee) to blossom
  with joy. I bow to that Lord of the grove of creepers
  Who completely fulfills the desires (of the devotees),  
  Whose beautiful glances are like arrows, and Who plays
  melodious tunes on the flute.        

  vidagdhagopikAmanomanojnatalpaSAyinam  
  namAmi kunjakAnane pravRaddhavahnipAyinam   |
  kiSorakAntiranjitam dRaganjanam suSobhitam 
  gajendramokShakAriNam namAmi SrIvihAriNam   || 8 ||

  Krishna lies down on the bed that is the minds of the 
  intelligent Gopis who always think of Him. I adore Him 
  Who drank the spreading forest-fire (in order to  
  protect the cowherd community). I bow to Krishna Who has
  eyes which are made attractive by His boyhood charm and 
  a black unguent (anjan), Who liberated the elephant 
  Gajendra (from the jaws of the crocodile), and Who is the 
  consort of Lakshmi (Sri).
   
  yadA tadA yathA tathA tathaiva kRShNasatkathA 
  mayA sadaiva gIyatAm tathA kRpA vidhIyatAm  |
  pramANikAShTakadvayam japatyadhItya yah pumAn  
  bhavetsa nandanandane bhave bhave subhaktimAn || 9 ||

  O Lord Krishna! Please bless me so that I may sing your
  glories and pastimes, regardless of the position I am in. 
  Anyone who studies or recites these two authoritative ashtakas
  will be blessed with devotion to Krishna in every rebirth.

  Note: The two ashtakas referred to above are the Sri Krishna 
  Ashtaka and the Krishna Ashtaka. 
 
  iti SrImacchankarAcAryakRtam SrIkRShNAShTakam sampUrNam  ||


  SrI kRShNArpaNamastu || 
 
 ************************************************************

 NOTE :    I have used the following as a transliteration key.  
           (the obvious sounds have been omitted for brevity) 

           A - as in mAtA; a - as in aditi; i - as in viSeSh;
           I - as in ISvar; e - as in keSava; R- as in RShi    
           o - as in govinda ; u - as in puruSha; U - as in citrakUTa;

           c - as cidambara; ch - as in chAyA ; 
           d - as in dAmodara;  D - as in panDita  ;  dh - as in dharma;
           t - as in trivikrama;   T - as in kUTa or pATalIputra; 
           th- as in SrInAth; Th - as in viThala; N - as in nArAyaNa;
           Dh - as in dRDha; S - as in SrI;  Sh - as in SeSha 

   
  Anand 
  
 



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